My Morning Jacket

My Morning Jacket, the sixth studio album, and after one of his terribly compelling live act over the past 10 years, returns to a more disciplined form of "circuit " is welcome after the tightening of the reins straight goofball antics in 2008 , the "Evil Urges". Both records, the band digs into barroom roots outside the country dusted soul, R & B, and the glittering phrase borrowed from prog-rock puffing.

This is a game of musical tag My Morning Jacket, it is not nimble, if not always focused, but the "circuit", the genre seems to be guided by an eye experiments. (If this view is as penetrating into the neon-green irises on the cover of the album, I do not want that, or running amok.) There are times that the bear voiced by Jim James and company sound like they're scraping the body of an old one last lick, retreading what has been done better elsewhere, but you can find something inspiring in order to renew their license rock-trot around the world.

The title song, immersed in an atmosphere that a stealth frank strumming synth background leans, hangs an old needle in a guitar part. "Holdin 'on black metal," built in a Thai pop songs and a children's thrown, the rigors of Lucifer -. or is it a subject that is a never-ending James Bond film, the screening of hell in the Cineplex Anyway, MMJ gave themselves a lot of work on stage. "Hello, Tokyo," you can almost hear James says. "You look good tonight!"